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PB: In my first experience, I found it absolutely terrifying.
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In the book, Elizabeth is quoted as saying, “It could be worse, we could be the Beatles.” You are one of the only people who can say they experienced what Beatlemania was like from the inside. I read a book about Richard Burton and Elizabeth Taylor recently, and how there was this crazy frenzy surrounding them. TS: I remember seeing a picture of the house, and Mick Jagger and Marianne Faithfull had spray-painted their names on the wall with the words mick and marianne were here. The whole house was like a psychedelic monster. We would decorate the outside of our house with spray-paint cans. Brian Epstein thought there might be an idea that John, Ringo, and George move to the country, have little houses about an hour out of London. PB: Living in London with George, there were so many fans every day, it became impossible to leave the flat. TS: Were the fans the reason you decided to live in the country? PB: If they thought that, there’s no reason anyone would think, “Ah, I’ll look after Pattie and guide her through what is going to be a tremendously difficult situation for a young girl to cope with.” The only thing Brian Epstein, their manager, told me and the other wives and girlfriends was, “Don’t talk to the press.” “The songwriting is still the same as it was when I was 12 years old writing songs in my room.” -Taylor Swift I remember a journalist coming to our house one day and saying to George, “In all seriousness, when do you think the bubble is going to burst? When are the Beatles going to be finished?” Nobody thought that role would be significant for a start. Did anyone prepare you for the attention? All of a sudden your life was changed forever because you fell in love with someone who the world was obsessed with.
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TS: You met George Harrison at 19 on the set of A Hard Day’s Night. PB: Well, the more you say it to me, the more it’s blowing my mind. It’s really interesting because in your case you inspired that creative output from two iconic musicians. It’s just that some people come into your life and they have this effect on you. There have been people I’ve spent a lot of time with who I just couldn’t write about.
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TS: I don’t know what it is that makes some people really creatively inspiring. It can get complicated on every other level, but the songwriting is still the same uncomplicated process it was when I was 12 years old writing songs in my room. But there are mystical, magical moments, inexplicable moments when an idea that is fully formed just pops into your head.
WHO DID CLAPTON WRITE YOU LOOK WONDERFUL TONIGHT SONG ABOUT HOW TO
A lot of songwriting is things you learn, structure, and cultivating that skill, and knowing how to craft a song. TS: There are definitely moments when it’s like this cloud of an idea comes and just lands in front of your face, and you reach up and grab it. The artist absorbs an element from their muse that has nothing to do with words, just the purity of their essence. PATTIE BOYD: I find the concept of being a muse understandable when you think of all the great painters, poets, and photographers who usually have had one or two. Does the concept of being called a muse feel like a correct fit? I stand on one side of it, and you on the other. TAYLOR SWIFT: I have been so excited to talk to you because we’re both women whose lives have been deeply influenced by songs and songwriting. There is a playful quality about her and, surprisingly-considering how much she has experienced in her life-a lightness. As the sunlight poured through the windows, her blue eyes lit up as she spoke. A few weeks later, I had the pleasure of sitting down with her in the kitchen of her beautiful Kensington flat. Recently I devoured this intriguing woman’s memoir, Wonderful Tonight. Widely considered one of the greatest muses of all time, Boyd, who was married first to George Harrison and later to Eric Clapton, inspired the hits “Something” by the Beatles, and “Layla” and “Wonderful Tonight” by Clapton. In the 1960s and ’70s, Pattie Boyd stood at the intersection of fashion, rock ’n’ roll, art, and fame.